We've been living in the new house for about a week now, and things are coming along. Every day or two we find some new little disaster that needs dealing with. It turns out that the dishwasher is leaking, and the central air conditioning unit either needs fixing or replacing. But the washer and dryer work, our new sink is awesome, and most of our kitchen cabinets are in place.

And my new office is still filled with boxes and junk because I've been too busy to set things up properly, but that's on my to do list for this weekend. I decided that I've outgrown a single desk setup, so we picked up a second desk from Ikea a few weeks ago. Right now it's covered with odds and ends, but eventually I hope to use it to give myself a little extra workspace.

We also picked up an office chair for $30 from a secondhand store. It's far more comfortable than the desk chair I had been using, and it's at least $100 cheaper than anything I would have picked up from an office supply store.

Sharp eyed viewers will also notice that the windowsills have been ripped off. We have a guy fashioning replacements which should be in place in the next week or two. Did I mention this room is still a work in progress?

But all told, there's plenty of room for me, my computers, boxes of files, and some recording equipment. There's even a closet which I'm going to use for storage and as an occasional voice booth when I need to do radio work from home. That's the nice thing about converting a spare bedroom into a home office. They tend to come with closets, which are excellent at damping sounds if you throw a few shirts and a pair of pants or two in there.


As if my life hadn't been busy enough, Farrah and I decided to buy a house recently. So on top of blogging for managing the fast-growing Liliputing, blogging for Download Squad, and anchoring newscasts a few days a week at WHYY-FM, we've been doing all sorts of housy stuff.

First there was the house hunting, mortgage applying, offer putting-in, negotiatin' and so forth. About a month ago we closed the deal and we've been working to make the house habitable ever since.

We move in a few weeks from now. But the house was a bit more of a fixer upper than we'd expected. We knew we wanted to remodel the incredibly tiny kitchen and make it bigger. But we also had to have a leaky roof fixed, deal with some faulty plumbing in the house, and there's still a fair amount of work to do. For instance, the laundry is on the third floor instead of the basement, which is nice. But the people who rehabbed the house a few years ago forgot to vent the dryer, so if you don't want lint rolling around the third floor of the house (which happens to be the floor my home office will be on), we need to knock a hole in the wall to vent the dryer.

A few weeks ago we signed up for DSL service with Verizon. Since we only need internet service and not cable TV or land line telephone service, DSL was by far the cheapest option. And every major room in the house has multiple phone jacks. Unfortunally, they were all wired wrong.

So when the modem showed up, I plugged it in to each room with the same results: nothing. I went out and purchased a cheap telephone handset to test the lines. Again, nothing. But if you climbed a ladder and plugged the handset into the Verizon box outside the house, you could hear a busy signal. So we could either run a line out a window and into that box as a permanent solution or call Verizon for help.

We chose the latter option, and the story gets long and sordid. But the short version is that I waited at the house from 8:00am until 7:00pm last Tuesday and nobody from Verizon ever showed up. Over the span of two days I spent about two hours on the phone until I found a Verizon supervisor that was actually quite helpful, and today two friendly Verizon techs came to the house and fixed our wiring. It was all very exciting and I'm writing this blog post using our brand new internet connection.

You can find more updates about the progress of our new home at Farrah's blog: Creative Neurosis.


About a year ago I launched Liliputing , a news and information site covering netbooks and low cost ultraportable computers. I'd been interested in tiny computing devices for ages, ever since I picked up my first PDA back in 2000: A Phillips Nino 300 running an early version of Windows CE. And in 2007, I was one of the first people in the US to pick up an Asus Eee PC 701 netbook. You can still find the unboxing video I posted to this blog.

After a short while, I realized there was a lot to say about this new generation of little computers that people were starting to call netbooks, and I launched Eee Site. But by April of 2008, it was clear that this wasn't just about the Asus Eee PC anymore. HP, Dell, Acer, and a number of other computer makers were getting in on the action, and rather than try to squeeze all of that information into a web page named for a single computer, I decided to launch a site with a broader focus. And Liliputing was born.

It turns out the low power, low priced computing trend was even bigger than I had anticipated. In 2008, practically every major computer maker (with the exception of Apple and Sony) launched a netbook. And a ton of companies I'd never heard of joined their ranks, including some companies that had never even released computers before. In 2009 we're starting to see a few new trends in the netbook space including:

  • Mini-laptops with touchscreen interfaces
  • Mobile carriers subsidizing netbooks the same way they do with cellphones for customers who sign up for long term data plans
  • A number of companies are starting to talk about releasing netbooks based on low power ARM processors which could run Windows CE or Linux and get battery life that blows away today's Intel Atom/Windows powered machines
As the netbook industry has taken shape, I'm proud to say that Liliputing has become one of the top destinations for news, information, and discussion about this new frontier in mobile computing. As of this month, the site has received over 6 million page views from 4 million unique visitors. Compete.com recently found that Liliputing is one of the top 10 sites people click on after searching for netbook related terms on major search engines. And through a number of advertising partnerships, Liliputing has begun to bring in enough money that I now consider it my primary source of income, although I still continue to do freelance work for Download Squad, WHYY-FM, NPR, and other organizations.

Last time I posted an update on Liliputing's progress here, I mentioned the launch of the Liliputing Forums, implementation of the Disqus commenting system, and a few other features that have helped make the site more of a community than simply a blog. I think those features are still helping the site grow, but I'm also proud of the fact that I've started building out a review section for the site where users can find detailed information about computers and products that I've had a chance to test. The Liliputing Product Database , maintained in partnership with UMPC Portal and several other sites, has also become one of the top resources for information about netbooks.

This month I'm running a series of contests on Liliputing to celebrate the one year anniversary. We've already given away a USB slim DVD burner from Asus, a universal laptop battery and a universal case from Ultimate Netbook, and we have a FidoHub netbook touchscreen kit contest currently underway . I've got at least one more contest scheduled to begin before the end of the month, and I've been saving one of the best prizes for last.

All told, it's been a pretty good year. I can't wait to see what the next year brings.

It looks like Marantz is offering a $100 rebate on the PMD620 handheld digital audio recorder. BSW and Sweetwater are both showing the rebate on their product pages, which brings the price of the recorder down to $299 after rebate.

But some sites, like DJDeals are selling the recorder for as low as $322 before rebate, which means you can pick up a PMD620 for just $222 after rebate.

The rebate form says you have to purchase the recorder from an authorized dealer, but it's not entirely clear which dealers are unauthorized. It looks like you should be OK as long as you buy a new recorder from a store and not a refurbished or secondhand unit from a reseller. But I'm not making any promises.

via AudioGearDeals

The Zoom H4n digital audio recorder is Zoom's third handheld flash memory recorder. It's the most expensive of the bunch, but it also features the best build quality of the three and is much easier to use than its predecessors. The sound quality is also pretty good, although you can achieve higher quality recordings with more expensive equipment. Still, for about $350, the H4n might appeal to a wide group of audio recordists, ranging from people who are looking for a cheap recorder that can power condenser mics that require phantom power to those who just don't want to shell out $450 or more for a recorder that offers only marginally better sounding recordings.


In addition to sturdier build quality with a rubberized grip, the H4n has larger, easier to manipulate buttons on the front of the unit. And the menus are much easier to navigate using the menu button and jog dial on the side of the unit than on the original Zoom H4. You can also rotate the internal mics to change the audio pickup pattern.

I do wish Zoom would start using a separate button for making track marks. Right now in order to create a new track while recording, you hit the record button again, which can be confusing -- especially because you need to hit the record button twice to start a recording in the first place (the first press puts you into record/pause mode).

The Zoom H4n also has a speaker built into the back of the unit. It's not going to replace your book box anytime soon, but it comes in handy if you want to check your audio or play a clip for someone on the go. You can certainly use the speaker to play music as well - it's just not going to sound very good.

But there is one major problem. It's far too easy to eject the SD card from the slot by pressing on the door that protects the compartment. And if you accidentally eject the SD card while making a recording, your data will be lost. I'm not saying that it's likely you'll eject the SD card, but it's possible. And that concerns me.

Here's a little video that should explain what I'm talking about. It shows both the new menu navigation and the problem with the SD card slot:


Like the original Zoom H4, the Zoom H4n has a number of features that really set it apart from competing recorders from Sony, Marantz, Tascam, and Edirol. For one thing, you can use the Zoom H4n either to record straightforward stereo tracks or as a 4-track digital recording studio. You can record up to 4 channels simultaneously using the built in stereo condenser mic for 2 tracks and the XLR inputs for to more channels.

You can also plug the Zoom H4n into a computer via a USB cable and use it as an audio interface. In other words, when it's plugged into your computer you can connect a microphone, musical instruments, or other audio devices up to your computer. You can also use the built in mics. It's sort of like having an external sound card that doubles as a microphone and headphone jack. This feature can come in handy if you need to make a Skype call or record a few voice or music tracks on the go with a laptop.

The recorder also has a number of digital effects that can be used while recording or playing back audio. There's a metronome feature, a guitar tuner, and even a karaoke effect.

Zoom has added a new "stamina mode" as well, which the company claims will nearly double your battery life by providing up to 11 hours of record time using 2 AA alkaline batteries. It's not entirely clear what stamina mode does, but the only recording option in stamina mode is 44.1kHz/16-bit WAV audio.

The Zoom H4n can handle WAV audio sample rates from 44.1kHz/16bit to 96kHz/24bit. You can also record MP3 files with bit rates ranging from 48kbps to 320kbps.

While the recorder is larger than the original Zoom H4 or Zoom H2, it's still reasonably small and fits easily in your palm, unlike larger recorders such as the Marantz PMD661, Fostex FR2-LE, or Tascam HD-P2. Here are some close-up photos of the Zoom H4n (Click any image in the slideshow to see a larger version):


Over the last few days I've posted a number of audio samples (made using the built in mics and external mics) to give you an idea of how the Zoom H4n sounds when recording my voice, ambient room sounds, and a bit of music. These tests are not by any means exhaustive. I wish I had 10 different microphones to try out with the H4n and other recorders, but I do not. Your results may vary.

To my ear, the Zoom H4n sounds better than the Zoom H4 in most of the tests. It records a fuller range of sounds and less hiss, especially when using the 1/8th inch input instead of the XLR inputs. With a high powered condenser microphone or the internal mics, the H4n sounds quite good. But when using a dynamic mic like the ElectroVoice RE-50, I feel that the Sony PCM-D50 sounds a little better and records less hiss.

That said, the Zoom H4n is at least $100 cheaper than the Sony PCM-D50, and while this recorder costs more than the Zoom H4 or Zoom H2, I think it's money well spent.

It's worth pointing out that, like most recorders with built in mics, the Zoom H4n is susceptible to handling noise. If you move your hand around too much while making a recording, you're likely to hear the sound of your fingers scuttling about the case. But thanks to the rubberized grip on the sides of the unit, it's a bit easier to keep your hands steady with the H4n than with earlier models.

The H4n also has a spot on the back of the unit that you can use to screw in a camera tripod. This allows you to set up the recorder and forget about it in some situations, while avoiding handling noise. The Sony PCM-D50 has this feature as well, while the original Zoom H4 came with a plastic attachment that you could use to attach a tripod - but you then had to strap the recorder into the plastic attachment with Velcro. Having a slot in the back of the recorder for the tripod is much more useful.

Overall, the Zoom H4n is a solid little recorder for podcasters, musicians, or radio producers on a budget. There are a ton of features packed into this little device, and the recording quality represents a significant improvement over earlier models. But if what you're looking for is crystal clear recordings, you'll probably have to pay more than $350 and buy a more expensive recorder.

The Zoom H4n is available through Amazon for $346.

Previous Zoom H4n coverage:

The other day I posted audio recordings comparing the built in microphones on the Zoom H4n, Zoom H4, and Sony PCM-D50 digital audio recorders. Today I have some recordings made using two different external mics: an ElectroVoice RE50 dynamic mic and an AKG Perception 100 studio-style condensor.


I didn't have enough mics to make simultaneous recordings as I did with the previous tests. But each recording includes a bit of my voice, some ambient room sounds, and a short section of guitar. I can't promise that the mic placement was perfect for the guitar - as a radio journalist I'm better versed in micing people than musical instruments.

Zoom H4n with RE50 dynamic mic using the XLR input


Zoom H4n with RE50 dynamic mic using mini input


Zoom H4n with AKG Perception mic using 48v phantom power and XLR input


Zoom H4 with RE50 dynamic mic using XLR input


Zoom H4 with AKG Perception mic using 48v phantom power and XLR input


Sony PCM-D50 with RE50 dynamic mic and mini input


To my ear, the XLR inputs on both the original Zoom H4 and the Zoom H4n have far too much hiss to be used with a dynamic microphone like the RE50. On both devices, the original recording was very quiet (although the Zoom H4n recording was a bit louder), and when I boosted the volume using CoolEdit, the hiss become quite noticable.

But the Zoom H4n also has a 1/8th inch input. When using this input with the RE50 microphone, the recording level was much higher, and the hiss much less noticable. In my opinion, the Sony PCM-D50 still works better with the RE50. But it also costs $100 to $150 more. If you're on a tight budget, the Zoom H4n might be all you need. Plus it offers added features like XLR inputs and phantom power for condenser mics.

The AKG Perception microphone sounded reasonably good with both of the Zoom recorders. You'd need a preamp to use that mic with the Sony PCM-D50.

What it comes down to is that all three are decent recorders. But you'll have to pick the right one for your needs and your budget. The Zoom H4 is available from Amazon for as little as $227, while the Zoom H4n costs $346. The Sony PCM-D50 goes for about $469.

In the next few days I'll share my thoughts on the Zoom H4n hardware to roundup this review.


NPR's Day to Day airs its final broadcast today. The program has been an NPR staple for the last 6 years, and while it was never carried by as many member stations as flagship programs like Morning Edition and All Things Considered, the program was always one of my favorite NPR shows. 


Day to Day was a bit lighter, more conversational, and quirkier than its elder siblings. They were willing to experiment with new ideas and take a few more risks, and they were an amazing outlet for freelance radio journalists. Many of the stories I've filed for NR over the last 6 years have run on Day to Day. 

This is actually the third radio program I've worked for that's gone off the air in the last year or so. NPR's Justice Talking and APM's Weekend America also had their funding pulled. The recession is taking its toll on everyone, and public radio programs like these rely on a combination of member donations, underwiting, charitable contributions, and endowment money to keep broadcasting. And a lot of those things are hard to come by these days. NPR is also eliminating News & Notes tonight, and last year pulled the plug on the moderately successful Bryant Park Project which was aimed at younger listeners. 

It's likely that many of the people who have been associated with these programs will find their way into other radio, podcasting, or audio production jobs. But as a freelancer it always hurts a bit when one of these outlets for journalism goes off the air - both because it deprives the public of some excellent reporting and because it makes it a bit harder for people like me to make a living by selling stories. 

Fortunately, I've been making a decent living by blogging for a number of technology web sites including Download Squad and Liliputing, and by filing stories for radio programs as well as helping out at WHYY in Philadelphia when necessary. So I'll be fine. But I'm still sad to see Day to Day go, and I certainly hope that by the time we come out of this recession there's still a place for innovative radio programming. If not, I suppose there'll always be podcasts, internet radio, and other online multimedia journalism. If radio doesn't survive (and I certainly hope it does, because there's something so engaging about turning on a box and having voices come into your home, car, or workplace to tell you a story), I'm sure there'll still be work for audio journalists.