Tuesday, March 24, 2009

$100 off the Marantz PMD620 if you order by March 31st

It looks like Marantz is offering a $100 rebate on the PMD620 handheld digital audio recorder. BSW and Sweetwater are both showing the rebate on their product pages, which brings the price of the recorder down to $299 after rebate.

But some sites, like DJDeals are selling the recorder for as low as $322 before rebate, which means you can pick up a PMD620 for just $222 after rebate.

The rebate form says you have to purchase the recorder from an authorized dealer, but it's not entirely clear which dealers are unauthorized. It looks like you should be OK as long as you buy a new recorder from a store and not a refurbished or secondhand unit from a reseller. But I'm not making any promises.

via AudioGearDeals

Monday, March 23, 2009

Zoom H4n review

The Zoom H4n digital audio recorder is Zoom's third handheld flash memory recorder. It's the most expensive of the bunch, but it also features the best build quality of the three and is much easier to use than its predecessors. The sound quality is also pretty good, although you can achieve higher quality recordings with more expensive equipment. Still, for about $350, the H4n might appeal to a wide group of audio recordists, ranging from people who are looking for a cheap recorder that can power condenser mics that require phantom power to those who just don't want to shell out $450 or more for a recorder that offers only marginally better sounding recordings.

In addition to sturdier build quality with a rubberized grip, the H4n has larger, easier to manipulate buttons on the front of the unit. And the menus are much easier to navigate using the menu button and jog dial on the side of the unit than on the original Zoom H4. You can also rotate the internal mics to change the audio pickup pattern.

I do wish Zoom would start using a separate button for making track marks. Right now in order to create a new track while recording, you hit the record button again, which can be confusing -- especially because you need to hit the record button twice to start a recording in the first place (the first press puts you into record/pause mode).

The Zoom H4n also has a speaker built into the back of the unit. It's not going to replace your book box anytime soon, but it comes in handy if you want to check your audio or play a clip for someone on the go. You can certainly use the speaker to play music as well - it's just not going to sound very good.

But there is one major problem. It's far too easy to eject the SD card from the slot by pressing on the door that protects the compartment. And if you accidentally eject the SD card while making a recording, your data will be lost. I'm not saying that it's likely you'll eject the SD card, but it's possible. And that concerns me.

Here's a little video that should explain what I'm talking about. It shows both the new menu navigation and the problem with the SD card slot:


Like the original Zoom H4, the Zoom H4n has a number of features that really set it apart from competing recorders from Sony, Marantz, Tascam, and Edirol. For one thing, you can use the Zoom H4n either to record straightforward stereo tracks or as a 4-track digital recording studio. You can record up to 4 channels simultaneously using the built in stereo condenser mic for 2 tracks and the XLR inputs for to more channels.

You can also plug the Zoom H4n into a computer via a USB cable and use it as an audio interface. In other words, when it's plugged into your computer you can connect a microphone, musical instruments, or other audio devices up to your computer. You can also use the built in mics. It's sort of like having an external sound card that doubles as a microphone and headphone jack. This feature can come in handy if you need to make a Skype call or record a few voice or music tracks on the go with a laptop.

The recorder also has a number of digital effects that can be used while recording or playing back audio. There's a metronome feature, a guitar tuner, and even a karaoke effect.

Zoom has added a new "stamina mode" as well, which the company claims will nearly double your battery life by providing up to 11 hours of record time using 2 AA alkaline batteries. It's not entirely clear what stamina mode does, but the only recording option in stamina mode is 44.1kHz/16-bit WAV audio.

The Zoom H4n can handle WAV audio sample rates from 44.1kHz/16bit to 96kHz/24bit. You can also record MP3 files with bit rates ranging from 48kbps to 320kbps.

While the recorder is larger than the original Zoom H4 or Zoom H2, it's still reasonably small and fits easily in your palm, unlike larger recorders such as the Marantz PMD661, Fostex FR2-LE, or Tascam HD-P2. Here are some close-up photos of the Zoom H4n (Click any image in the slideshow to see a larger version):


Over the last few days I've posted a number of audio samples (made using the built in mics and external mics) to give you an idea of how the Zoom H4n sounds when recording my voice, ambient room sounds, and a bit of music. These tests are not by any means exhaustive. I wish I had 10 different microphones to try out with the H4n and other recorders, but I do not. Your results may vary.

To my ear, the Zoom H4n sounds better than the Zoom H4 in most of the tests. It records a fuller range of sounds and less hiss, especially when using the 1/8th inch input instead of the XLR inputs. With a high powered condenser microphone or the internal mics, the H4n sounds quite good. But when using a dynamic mic like the ElectroVoice RE-50, I feel that the Sony PCM-D50 sounds a little better and records less hiss.

That said, the Zoom H4n is at least $100 cheaper than the Sony PCM-D50, and while this recorder costs more than the Zoom H4 or Zoom H2, I think it's money well spent.

It's worth pointing out that, like most recorders with built in mics, the Zoom H4n is susceptible to handling noise. If you move your hand around too much while making a recording, you're likely to hear the sound of your fingers scuttling about the case. But thanks to the rubberized grip on the sides of the unit, it's a bit easier to keep your hands steady with the H4n than with earlier models.

The H4n also has a spot on the back of the unit that you can use to screw in a camera tripod. This allows you to set up the recorder and forget about it in some situations, while avoiding handling noise. The Sony PCM-D50 has this feature as well, while the original Zoom H4 came with a plastic attachment that you could use to attach a tripod - but you then had to strap the recorder into the plastic attachment with Velcro. Having a slot in the back of the recorder for the tripod is much more useful.

Overall, the Zoom H4n is a solid little recorder for podcasters, musicians, or radio producers on a budget. There are a ton of features packed into this little device, and the recording quality represents a significant improvement over earlier models. But if what you're looking for is crystal clear recordings, you'll probably have to pay more than $350 and buy a more expensive recorder.

The Zoom H4n is available through Amazon for $346.

Previous Zoom H4n coverage:

Sunday, March 22, 2009

Zoom H4n external mic tests

The other day I posted audio recordings comparing the built in microphones on the Zoom H4n, Zoom H4, and Sony PCM-D50 digital audio recorders. Today I have some recordings made using two different external mics: an ElectroVoice RE50 dynamic mic and an AKG Perception 100 studio-style condensor.

I didn't have enough mics to make simultaneous recordings as I did with the previous tests. But each recording includes a bit of my voice, some ambient room sounds, and a short section of guitar. I can't promise that the mic placement was perfect for the guitar - as a radio journalist I'm better versed in micing people than musical instruments.

Zoom H4n with RE50 dynamic mic using the XLR input


Zoom H4n with RE50 dynamic mic using mini input


Zoom H4n with AKG Perception mic using 48v phantom power and XLR input


Zoom H4 with RE50 dynamic mic using XLR input


Zoom H4 with AKG Perception mic using 48v phantom power and XLR input


Sony PCM-D50 with RE50 dynamic mic and mini input


To my ear, the XLR inputs on both the original Zoom H4 and the Zoom H4n have far too much hiss to be used with a dynamic microphone like the RE50. On both devices, the original recording was very quiet (although the Zoom H4n recording was a bit louder), and when I boosted the volume using CoolEdit, the hiss become quite noticable.

But the Zoom H4n also has a 1/8th inch input. When using this input with the RE50 microphone, the recording level was much higher, and the hiss much less noticable. In my opinion, the Sony PCM-D50 still works better with the RE50. But it also costs $100 to $150 more. If you're on a tight budget, the Zoom H4n might be all you need. Plus it offers added features like XLR inputs and phantom power for condenser mics.

The AKG Perception microphone sounded reasonably good with both of the Zoom recorders. You'd need a preamp to use that mic with the Sony PCM-D50.

What it comes down to is that all three are decent recorders. But you'll have to pick the right one for your needs and your budget. The Zoom H4 is available from Amazon for as little as $227, while the Zoom H4n costs $346. The Sony PCM-D50 goes for about $469.

In the next few days I'll share my thoughts on the Zoom H4n hardware to roundup this review.

Friday, March 20, 2009

Farewell to NPR's Day to Day


NPR's Day to Day airs its final broadcast today. The program has been an NPR staple for the last 6 years, and while it was never carried by as many member stations as flagship programs like Morning Edition and All Things Considered, the program was always one of my favorite NPR shows. 

Day to Day was a bit lighter, more conversational, and quirkier than its elder siblings. They were willing to experiment with new ideas and take a few more risks, and they were an amazing outlet for freelance radio journalists. Many of the stories I've filed for NR over the last 6 years have run on Day to Day. 

This is actually the third radio program I've worked for that's gone off the air in the last year or so. NPR's Justice Talking and APM's Weekend America also had their funding pulled. The recession is taking its toll on everyone, and public radio programs like these rely on a combination of member donations, underwiting, charitable contributions, and endowment money to keep broadcasting. And a lot of those things are hard to come by these days. NPR is also eliminating News & Notes tonight, and last year pulled the plug on the moderately successful Bryant Park Project which was aimed at younger listeners. 

It's likely that many of the people who have been associated with these programs will find their way into other radio, podcasting, or audio production jobs. But as a freelancer it always hurts a bit when one of these outlets for journalism goes off the air - both because it deprives the public of some excellent reporting and because it makes it a bit harder for people like me to make a living by selling stories. 

Fortunately, I've been making a decent living by blogging for a number of technology web sites including Download Squad and Liliputing, and by filing stories for radio programs as well as helping out at WHYY in Philadelphia when necessary. So I'll be fine. But I'm still sad to see Day to Day go, and I certainly hope that by the time we come out of this recession there's still a place for innovative radio programming. If not, I suppose there'll always be podcasts, internet radio, and other online multimedia journalism. If radio doesn't survive (and I certainly hope it does, because there's something so engaging about turning on a box and having voices come into your home, car, or workplace to tell you a story), I'm sure there'll still be work for audio journalists.

Thursday, March 19, 2009

Testing the Zoom H4, H4n, and Sony PCM-D50 internal mics


I'll have a detailed review of the Samson Zoom H4n recorder in the next week or so. But I can already tell you there are some things that Samson hit out of the park on their latest recorder, while there are a few things I wish were better thought out. For instance, the menu system and button layout is much better than on the original Zoom H4. But the SD card slot on the side of the unit is way too easy to open by accident.

But the most important thing is audio quality. I'll have more audio samples to share over the next few days, but I wanted to post a little shoot-out I did between the Sony PCM-D50, Zoom H4n, and Zoom H4 today. As you can hear, all three of these recorders have excellent built in microphones. All three are also subject to a fair amount of handling noise if you jostle them around while using those built in mics, but the rubberized grip on the Zoom H4n makes it easier to hold than the original Zoom H4, which means less jostling.

Zoom H4n audio sample:


Zoom H4 audio sample:


Sony PCM-D50 audio sample:


All three clips were recorded simultaneously and start out with me talking, followed by a little room tone. The clips end with me playing guitar. I seriously hope nobody listens all the way to the end all three times, because the guitar part - not so good. But I wanted to give you a sense of what music would sound like -- if it sounded better.

I should point out that the three recorders were laid out left to right. The Zoom H4 was on the left side of the table, and the Sony PCM-D50 was on the right. The Zoom H4n was in the middle and I was speaking directly into it, while the other two recorders were at an angle.

Of course, the real question is how the H4n performs with external mics. I'll have details on that soon.

Update: I've uploaded some audio samples recorded using 2 external mics, the ElectroVoice RE50 dynamic mic and AKG Perception 100 studio-style condenser mic.

Update 2: As has been pointed out in the comments, I accidentally used the wrong audio sample for the Sony PCM-D50 internal mic test. I've updated the post with the correct audio.

Wednesday, March 18, 2009

Zoom H4n unboxing



Good news, everyone! I finally got my hands on a Zoom H4n demo unit. I'll be putting it through the paces over the next few days and I hope to determine how it stacks up against similar machines like the original Samson Zoom H4 and the somewhat more costly Sony PCM-D50.

Keep in mind, my background is as a radio producer. I'm not a nature recordist, a bootlegger, or a musician (at least not a very good one). So my primary interest is in finding a computer that does a good job of recording vocals and ambient sound in a variety of settings using a variety of inputs including dynamic and condenser microphones and the built in mics. So my review's not going to be definitive, but hopefully I'll be able to tell you within a few days whether I can recommend this recorder over others that I've tried.

In the meantime, you can check out this unboxing video I shot this afternoon.

Sunday, March 8, 2009

Zoom H4n audio take 2 - second time not so charming

The Samson Zoom H4n is probably one of the more exciting digital audio recorders to come along in a while. Samson has taken the original Zoom H4 and completely retooled it with a better button layout, a new rubberized grip, a new mic layout and better preamps.

But while reader Jon Skitch sent us some fantastic sounding recordings he made using the recorder, Neil Ewers of Blind Cool Tech has sent in some evidence that the H4n might not be in the same league the Sony PCM-D50 and other slightly more expensive digital audio recorders.

Here are a series of audio samples Ewers recorded using both the Zoom H4n and Sony PCM-D50, followed by a recording made on the original Zoom H4. The original Zoom recorder actually had quite decent built in mics, but sounded awful with an external mic plugged in, especially if it was a dynamic mic. To my ear it sounds like the Zoom H4n isn't much better. What do you think?

Update: Now you can also hear audio samples I recorded myself using the internal mics and several external mics.

Sony PCM-D50 internal mics:

Get this widget | Track details | eSnips Social DNA


Same audio source with Zoom H4n internal mics:

Get this widget | Track details | eSnips Social DNA


Sony PCM-D50 with an Audio Technica mic:

Get this widget | Track details | eSnips Social DNA


Zoom H4n with an Audio Technica mic:

Get this widget | Track details | eSnips Social DNA


Sony PCM-D50 with a dynamic mic:

Get this widget | Track details | eSnips Social DNA


Zoom H4n with a dynamic mic:

Get this widget | Track details | eSnips Social DNA


Final recording with Zoom H4n:

Get this widget | Track details | eSnips Social DNA


Original Zoom H4 reference recording:

Get this widget | Track details | eSnips Social DNA


acelebration of womens khong familys mi sitios de diseno my site cheap technology museum planners new cesar dubo weddings and hair styles sim flecks iphones chile new phones blog